After the success of Roger Corman’s cycle of films based on the works of Edgar Allen Poe, AIP naturally wanted to produce more like them, but they soon had to turn to other sources. There simply aren’t that many Poe short stories easily adapted to the screen, and fewer still that could be stretched into full-length movies. Once they’d used up their best candidates, including a comedic spoof in The Raven and an anthology of short stories in Tales of Terror, AIP turned to HP Lovecraft. In the early 1960s, Lovecraft hadn’t yet gained his fame, while Poe was well-known as America’s leading writer of the macabre, so they used the former writer’s story ideas, dressed up in trappings of the latter.
I call such movies Poe’d-up Lovecraft.
Die, Monster, Die isn’t the earliest example, nor the best, but it’s on the flip-side of The Dunwich Horror and it’s got Boris Karloff in it in one of his last films.
Those familiar with Lovecraft’s work will eventually recognize this film’s story as a loose adaptation of The Colour Out of Space. Viewers unfamiliar with Lovecraft might take it for a modernized version of AIP’s own House of Usher; both films begin …read more
Source:: The Northlands